At some point today, Fall Out Boy will be playing an invite-only show at House Of Blues to celebrate the release of their new album, Infinity on High.
Okay, stop your laughing.
To folks with asymmetrical haircuts and teenagers whose composition books are dripping with despondently poetic ink, this is a big deal. And, to a certain extent, it’s sort of a big deal for Chicago as well. Sure, the new disc is probably not “one of the biggest leaks” ever and it’s probably not even the most important release, industry-wise, of the first quarter of the year, but it does peg Chicago as ground zero for mall-emo / Fuse culture, at least for this week.
So what about the album? Is it any good? Is it worthy of all the hype including, but not limited to, a guest appearance by none other than Jay-Z himself? (Although after his dud of a “comeback” maybe he needs these Chicago suburbanites more than they need him.)
Eh, it’s not bad. Middle-aged critics are falling over themselves proclaiming it to be awesome. A certain critic at the Sun-Times had this to say about it:
Infinity on High is a major leap forward, bringing a wild ambition to the simple genre patented by the Ramones, revived by fellow Chicagoans Screeching Weasel and turned into a platinum phenomenon by the likes of Green Day and Blink-182.
Okay, the only band, of the above listed, Fall Out Boy has anything in common with is blink-182. And maybe Green Day if you’re counting eyeliner as a valid link.
The bottom line is that the group has built upon the foundation of their breakthrough, From Under The Cork Tree, injected a few effects to stay ahead of Panic! At The Disco (as if that’s difficult) and created a solid pop album whose sugary rush dissolves pretty quickly. Aside from a few anthemic moments (“The Take Over, The Break's Over” and the Queen-biting (what is with emo groups going to the Well of Mercury anyway?) “I've Got All This Ringing In My Ears And None On My Fingers” come to mind) the album plugs along with a generic pleasantness that will move lots of units and cause lighters to run out of fluid and cell-phone batteries to drain to death.



They'll be forgotten in a few years.
Godsmack is more relevant than this crappy band.
Fall Out Boy = Not Emo
Blink 182 = Not Emo
Green Day = Not Emo
Sunny Day Real Estate = Emo
Jawbreaker = Emo
The Promise Ring = Emo
Doves = Emo
KNOW THE DIFFERENCE!!
Please note the title of this post, Bill.
P.S. You forgot Rites Of Spring
In looking at Bill's list of Emo or Not Emo, I don't even think he's sure (or correct) on all those.
Bill, you listed the original wave of emo. But since then, it has evolved dramatically. I would still consider bands like Fall Out Boy, Dashboard Confessional, Taking Back Sunday, etc to be emo. Chicago has a HUGE emo/alternative scene: Fall Out Boy, The Academy Is, Alkaline Trio, Rise Against, The Junior Varsity, and tons of other bands playing shows each weekend trying to make it big.
We are at the center of this new "emo" explosion.
Please, let's not write me a check for $10,000, okay?
Doves are emo? Not really. They're straight up Brit pop.
I didn't get the Doves ref either.
this is so funny. it's like a list i used to be on. even though it was dedicated to power-pop and the like, all you had to do to get about 300 posts was to suggest to ask, "what IS power pop?"
ha. classic.
for me, i really *don't* have a clue what emo is. seriously. i tried asking some people one time and that was of no help. i thought it was stuff like bright eyes and pedro the lion and stuff. i guess not. i'm clueless.
but at least i know that blink 182 and green day are not emo. maybe i can start to identify things by what they're *not.* ha.
i'm more of a power-pop girl, so you can emo it up, i suppose.
Emo is for kids who are too pathetic to actually just suck it up and become goths.