Halloweek is here and it's time to throw together your best sexy Daft Punk costume, prepare to arrive at work hung over at least once before the Devil's Day and immerse your ears in the city's vast Halloween-centric music offerings.
Halloweek is here and it's time to throw together your best sexy Daft Punk costume, prepare to arrive at work hung over at least once before the Devil's Day and immerse your ears in the city's vast Halloween-centric music offerings.
Welcome to the second full work-week of 2008. If yours is going anything like ours, the term "hump day" doesn't even make you crack a smile. Here's (hopefully) some motivation to get you to the weekend:
Next Thursday's second day of the Tomorrow Never Knows weekend may be its most eclectic, which is an enticing departure from the usual blog-approved buzz acts.
Thrill Jockey Records turns 15 this year, and in order to celebrate they've decided to throw themselves a couple of big-ass parties, one of which already occurred in London earlier month. However, the label has called Chicago home for over a decade, so we're expecting the 2 days of shows happening at Logan Square Auditorium on December 14 and 15 to blow London's party apart at the seams.
Is it just us, or is this one of those weeks that never stops? Looking ahead at our weekend musical calendar, we're realizing we're not going to get any sleep until we fall into a Thanksgiving dinner-induced coma next week. Oh music, we do it all for you.
The summer sun has rejuvenated the DDaN column, so we're clocking back with our thoughts on a few of the week's notable concerts. Tonight, if you didn't get invited to see Fall Out Boy, and you're not heading to Liar's Club to listen to (and to buy) the new Queens Of the Stone Age at midnight, might we recommend checking out The Hourly Radio at The Note? If you dig Placebo, and you haven't yet...
Well, we've been hearing about Looptopia for awhile. A big overnight festival held in the Loop, blah blah. We didn't think too much about it. We pretty much dismiss the Loop after 5 p.m. and give it up for lost on the weekends. Looptopia is obviously working hard to change all that. It's going on this Friday through early Saturday morning and since we're going to be down there, we decided to check out the...
We have reviewed every Bobby Conn release, and with the exception of his debut and that one EP, we have hailed each as the work of modern genius. His early work had a tendency to test the listener, teasing with snippets of joyous funk or mammoth stadium choruses delivered via basement recording studio. Each subsequent album has built up a more dependable mix of accessible tunes within which Conn delivers scathing commentary on the society, and political worldviews of those in power, that dominates our daily lives and provide an ever deepening concern for our collective future.
After speculation over who will be the "special guest" at the Robbins Family benefit we posted about last week, organizer Jessica Hopper announced today that local legends Eleventh Dream Day will headline the event at Empty Bottle on January 27 at 8:00 p.m. Also appearing that evening are Chin Up Chin Up, Bobby Conn, Life & Times, and Red-Eyed Legends. Plus, they'll be raffling off lots of goodies. Here's the list so far: * VIP...
We swore My Chemical Romance just left town in a haze of mascara and Queenesque choruses, but the inclusion of MCR on so many year-end, best-of lists means there’s money to be made. So the black parade marches again with local heroes Rise Against who seem to be cast in the unfortunate role of second to bands for whom they’ve paved the way. Allstate Arena, March 1, 7:30 p.m., $30, all-ages. On sale tomorrow at...
Bobby Conn is a little Jesus Christ Superstar, a little Nilsson, a little Jackson 5 and a whole lotta rock and/or roll. This diminutive Chicagoan has been making waves just under the surface of the city’s music scene for years now and every once in a while he pops up for a live performance or to release a new album. Tonight at Double Door he’s combining those two events by performing a show to celebrate the release of his new concert album Live Classics: Vol. 1. Talk about a postmodern hyper-commentary on an action taken in self-referential reverence to an action performed.