Since all eyes in the entertainment world were focused on the Oscars this weekend, a piece by Tribune freelancer Allison Stewart on the quasi-autobiography from Tori Amos might have been unjustly ignored. In a fairly short span of time, mentioning Amos’s stint with Y Kant Tori Read has gone from the mark of the wise to rock writer cliché and Stewart smartly chooses not to dwell on it. Instead, she acquits herself as a true fan (of music, if not Amos herself) in being able to spot the good (the freeform conversational style with New York Times critic Ann Powers) and the bad (no backstory on “Me And A Gun”) before dovetailing into a quickie review of Tori’s latest album.
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