If you are among the legions of Chicagoans toting an iPhone, there is no excuse for being out of touch with the news these days. Until recently, Chicago was not well represented in the iTunes store. In fact, what should have been the flagship of the Second City’s local news offerings was an embarrassment with a woeful and limited app from the Chicago Tribune. But this week’s rollout of a reconceptualized app from the folks in Michigan Avenue’s gothic tower is just the latest in a groundswell of Chicago media offerings for Apple devices. Here’s a quick rundown: more ›

A day after his idea of a proposed tax on digital downloads made headlines and raised ire across the state, Gov. Quinn is backing down on that proposal but sticking to his guns for the income tax hike. It seems the iTax was just one of the more eye-catching of a long list of proposals Quinn was spitballing with legislative leaders. Said Quinn, "We had a meeting with the legislative leaders the other day, we made a list of all the possible things that could happen. I didn’t advocate that. I’m not interested in doing that, frankly.” Under the plan, a $9.99 album would have carried a tax of 50-cents while a $14.99 movie would have carried a tax of 75-cents. It seems paying an extra fifty cents per Nickelback record didn't appeal to him, either. more ›

• Tomorrow the Music Box begins a week-long run of the 2009 Oscar-nominated short films, with one program for Live Action and another for Animation. It's a great smorgasbord including films from all over the world. If you can't make it to the Music Box, you'll be able to watch them at home: the nominated short films will be released on iTunes on February 17. Just keep in mind what David Lynch says about that.
• Speaking of digital cinema, one of the films we loved the most at last year's CIFF gets a non-traditional release in a few weeks. Must Read After My Death, the fascinating and disturbing documentary fashioned by Morgan Dews from materials left behind by his family, opens theatrically in New York and LA on February 20 but will also be viewable in ultrahigh quality online. Via Gigantic Digital, a $2.99 "ticket" will give a viewer unlimited access. As a result of their outreach, Time Out Chicago will actually change the way they cover films. Hank Sartin explains: "After an extended discussion, we're going to run a review both online and in print. In print, we're going to include a newly designed logo indicating that this film is not in theaters but is online. We're going to take this case-by-case, but try to cover films getting non-traditional release whenever we can, online if not always in print."
• Also on February 20, the Alliance Française of Chicago presents an evening of Europe's best short films of 2008. More than 2,000 international cinema professionals voted for the winners, in a format inspired by the Césars. The lineup is a surprise, but expect some solid work that you're unlikely to see anywhere else. Tickets are $12 for members, $15 for non-members; more info here.

This will come as no surprise to music-savvy Chicagoans, but despite the popularity of big chain stores like Best Buy and Target, independent record stores still actually exist. Earlier this year, we celebrated Record Store Day and now Paste Magazine has named their top 17 record stores in the U.S. of A. We're not surprised by the inclusion of some of the more well known stores (Amoeba Records in L.A., Criminal Records in the ATL, and Waterloo in Austin), but we did raise an eyebrow when we saw the lone Chicago entry on the list: Dusty Groove America (1120 N. Ashland Ave), tabbing it "the best place to buy funk records no one's ever heard of." Don't get us wrong. Dusty Groove is an excellent establishment, especially if you're looking for funk and soul records and national recognition is always good. But we couldn't help wondering: whither Reckless? Or Gramaphone? Or...well, countless other fantastic record stores in the Chicago metro area? more ›

Frankly, whenever we read about record sales, digital rights management, and record companies, we usually switch off because the whole issue is stupid and always ends up more complicated than it should (iTunes or iTunes Plus?). The major record labels have always reminded us of our Drunk Uncle Pete; they're late to the party and only after our money, while indie labels have been distributing DRM-free music through retailers like eMusic for a while now. more ›