Signs of Vaudeville? more ›

There’s just nothing cooler than being New York’s pre-Broadway musical comedy whore. Chicago’s “Spamalot” world premiere try-out bows tonight before moving on to Broadway in March, and pundits from Playbill to USA Today to the New Yorker are weighing in on the potential appeal of another potential “Producers”-size blockbuster. Of course it helps that, like “The Producers” before it, “Spamalot” hits the stage with a built-in audience that’s kinda familiar with the source material... more ›