Tetro, featuring Francis Ford Coppola's first completely original screenplay since 1974's Oscar-winning The Conversation, has to shoulder an awfully heavy burden. But for the first two-thirds anyway, it carries itself impeccably.
Tetro, featuring Francis Ford Coppola's first completely original screenplay since 1974's Oscar-winning The Conversation, has to shoulder an awfully heavy burden. But for the first two-thirds anyway, it carries itself impeccably.
Chicagoist makes this solemn promise to you: this is the last post we will be writing about any film fests that are running in Chicago. At least until next week. But we’d be remiss in our reporting duties if we failed to alert you to the 13th Annual Independent Filmmakers Conference at the School of the Art Institute.
Has the funniest director-film critic feud in history (er... the funny director-film critic feud in history) been resolved? New City's Ray Pride reports that after the recent Chicago critics' screening of The Brown Bunny, one of the most critically maligned films in history after its Cannes Film Festival premiere, director/asshole extraordinaire Vincent Gallo and Sun-Times critic Roger Ebert, perhaps the film's most vocal opponent, emerged from a closed-door meeting "with quiet smiles, seeming to have buried the scalpel."