Jazz Meets Contemporary at Jazz Showcase
By Alexander Hough in Arts & Entertainment on Aug 24, 2009 6:00PM
Photo by Renee LaLonde
It is clear, in all my works, that I have been listening to jazz for 30 years. I am not a composer who does empty-headed "cross-over" jazz pieces where the jazz bits make all the jazzer's blush with embarrassment.... rather, there is a deeply integrated and digested set of references and perfumes which can be sensed.
You can also smell these perfumes on "Cheating, Lying, Stealing," David Lang's dark, creeping homage to the more disreputable parts of his personality. Other pieces on the concert embrace the jazz idiom more explicitly: Chicago composer Gregory Hutter's "Melancholy Rags," which is what piece's title describes, and Barry Cockroft's "Beat Me," a piece for solo saxophone that Anaphora founder Sarah Ritch describes as "a jazz solo...cut up and put into a collage." Wrapping up the first half will be an arrangement of "Solea" from Miles Davis and Gil Evans's 1960 collaboration, "Sketches of Spain," one of the first - and certainly one of the first successful - jazz-classical combinations. Local jazzman Rob Parton will be featured on the piece, as well as on the entire second half as Anaphora members Bryan Den Hartog (drums) and Christian Anderson (trumpet) join Rob Clearfield (piano) and Patrick Mulcahy (bass) to accompany him on a straight-up jazz set.
The Jazz Showcase, 806 S. Plymouth, Tuesday, August 25, at 8:00 p.m., $10